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The poems |
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| Gerry
Loose |
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from The Deer Path To My Doorhere doing what
I do best
tax bills deadlines work undone
time spent with black parrot queen of the night tulip
early bus to town for teachings better
woodpecker drumming lapwings
the marble hall all suits & security
old lady scattering bread for birds
daughter gone into the world
autumn leaves gather in corners
fell over drunk precepts
such a small beetle passes so
stepping out for a piss I can't let the door From Printed on Water (Shearsman, 2007). Reprinted with permission of the author. The 'Deer path to my door' poems are written at my small wooden hut at Carbeth in the foothills of the Campsies, an unmanaged area, largely untouched for a century. The hut has no electricity and drinking water is collected from a standpipe at a bend in the road nearby. It's where I feel most at home; that is, where I'm able to forget myself. They're poems of what is; beyond excuses made for things not done, far from worlds of doing. They are attempts to write in the most honest way I can, without separating this from other activities, of events which take place sometimes after days of silence: an almanac of tranquil vitality. The poems are also a record of learning to let go, to share space with unmanageable plants and wayward creatures who go about their own lives with scant regard to mine. Learning to let go of the vagrant thoughts that go about their business somewhere in my mind. I think I own that hut with its garden, but the deer knows to whom it really belongs. Gerry Loose has been writing haiku and related Japanese-influenced poems for about as long as I have, which is a very long time indeed - probably a lifetime or two! His work (play) is very fine indeed, the real deal - no fake-zennery (or zen-fakery) - nothing 'stinking of zen' as one of the masters put it. In this sequence the poems are haiku-like but rendered in two lines instead of the usual three (hey, who needs usual?). They're unpunctuated but the unerring ear / eye tell you when to stop / break / breathe. They're poems of retreat, of solitude and isolation, but speak of a particular kind of loneliness that is anything but empty (see notes to Chloe Morrish, below). They are reminiscent of Han-Shan's Cold Mountain or Gary Snyder's Sourdough Mountain Lookout. Can't say fairer than that! Gerry Loose is a poet and ecologist, whose work is as likely to be found in gardens and public places as on the page. He currently lives in Ardnamurchan studying the Sunart oakwoods, for which he received a Creative Scotland Award. |
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